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Slow Sweet Intro: Tabber: Freddie Wong (l33thax0rd00d@yahoo.com), edited by Reed though F# e|--2---2-2h4p2---2-----------6-----6---6h9p6---6---6-XX---7---7--- B|--2-----------2------2--XX--7---------------7-----6-XX---7-------- G|--3------------------4--XX--6---------------------7-XX---8-------- D|--4------------------3--XX--6h8-------------------8-XX---9------- A|--4------------------4--XX--6---------------------8-XX---9------- E|--2-------------------------x---------------------6-XX---7-------- e|--7h9p7----7---6-XX--4---| B|---------7-----6-XX--4---| G|---------------6-XX--4---| D|---------------6-XX--4---| A|---------------8-XX--6---| E|---------------6-XX--4---| The double XX's after the chords indicates he does a quick up/down strum on the position of the preceeding chord, but doesn't let the notes ring. Then It Gets Funky: -----------------2-5-2-0------------------------------- -------3/5-3/5~-2--------2~-------------------3/5-3/5~- -------4/6-4/6~-------------2h4~-4-2~-2-------4/6-4/6~- ----------------------------------------2-3-4---------- ------------------------------------------------------- -0-1-2------------------------------------------------- B7 ----------------------------------------2-5-2-2- -----------------------------3/5-3/5~--2------4- -4b5b4~-2----2h4~-2~-2-------4/6-4/6~---------2- ----------4~-----------2-3-4------------------4- ----------------------------------------------2- ------------------------------------------------ The First Verse: F# F# B7 B7 ----------2-------2-----------------2-------2---- ----------2-------2-----------------4-------4---- ----------3-------3-----------------2-------2---- -----4----4-------4--------4-4------4-------4---- -4/6------4-------4----4/6-----6-2~-2---2-2-2---- -------2~-2---2-2-2------------------------------ Brushfire Fairytales... F# F# B7 B7 ------------2-------2-----------------2-------2---- ------------2-------2-----------------4-------4---- ------------3-------3-----------------2-------2---- -------4----4-------4--------4-4------4-------4---- -4/6~-------4-------4----4/6-----6-2~-2---2-2-2---- ---------2~-2---2-2-2------------------------------ Big Fat Hurricanes... C#7 C#7 B7 B7 F# F# C#7~ ------------4-------4-----2-------2-----2-------2---4~~- ------------6-------6-----4-------4-----2-------2---6~~- ------------4-------4-----2-------2-----3-------3---4~~- -----4-3----6-------6-----4-------4-----4-------4---6~~- -4/6-----4~-4---4-4-4---2-2---2-2-2-----4-------4---4~~- --------------------------------------2-2---2-2-2------- Well Shourtcuts can... F# Well dust off your thinking caps B7 Solar powered plastic plants F# Pretty pictures of things we ate B7 We are only what we hate C#7 But in the long run we have found B7 Silent films are full of sound F# C#7 Inaudibly free F# Slow down everyone Bb You're moving too fast B Frames can't catch you when G# You're moving like that F# Inaudible melodies Bb Of narrational strategies B Unobtrusive tones G# Help to notice nothing but the zone F# Of visual relevancy Bb Frame-lines tell me what to see B Chopping like an axe G# So maybe Eisenstein should just relax F# Slow down everyone Bb You're moving too fast B Frames can't catch you when G# You're moving like that Guitar solo thingy: --11-14-11--11~------11-14-11------------11-14-11-----------11-11-11-11-14- -11-------14--------11-------14-11~-----11-------14-12~----11---------------- ----------------------------------------------------------------------------- ----------------------------------------------------------------------------- ----------------------------------------------------------------------------- ----------------------------------------------------------------------------- F# Well Plato's cave is full of freaks Bb Demanding refunds for the things they've seen B I wish they could believe G# G In all the things that never made the screen F# And just slow down everyone Bb You're moving too fast B Frames can't catch you when G# You're moving like that F# Slow down everyone Bb You're moving too fast B Frames can't catch you when G# You're moving like that
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